Sketches from Life, Links, and Random Comments

Sketches

Links
I’m not the only one who’s been sketching. Take a look at Angie’s still life.

Angie also linked to this, along with a lot of other people I follow. I haven’t had a chance to look at it yet, but I LOVE the idea. Google street view for art (aka Google Art Project).

I’ve been enjoying Karin Jurick’s 100 Faces via her blog. She painted 100 faces from mug shots as an exercise. She put this video together when she finished. I’m tempted to try something like this myself, maybe after a little more life sketching.

What’s wrong with this picture? No cheezburger.

Random Comments
The written dialect in Adam Bede is driving me crazy. However, I’m enjoying the book enough that I don’t want to give up on it.

Well, okay, I only had one random comment. Just felt like sharing.

Portrait of an Artist’s Young Girl


Portrait of an Artist’s Young Girl
Angela Micheli Otwell, 2010
Acrylic on Canvas
Prints available.

Still Life with Reflection


Still Life with Reflection
A.M. Otwell, 2009
14 x 11 inches
Acrylic on Canvas
Prints available at RedBubble.
Original $1200.

A Pensive Moment


A Pensive Moment
A.M. Otwell, 2009
14 x 11 inches
Acrylic on Canvas
Prints available at RedBubble.

This time I managed to get a digital image large enough to make a small poster available along with the other options (matted print, laminated print, greeting card, framed print, etc.). If there’s a lot of interest in this format, I’ll certainly try to go back and get suitable images of older paintings. If you are interested in a poster of a particular image, please let me know!

Reflections


Reflections
A.M. Otwell, 2009
12 x 36 inches
Acrylic on Canvas
Original $750
Prints available.

12 Apr 2009, 8:00am
Art and Design
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He is risen!


Etching by Carl Heinrich Bloch (1834-1890).

10 Apr 2009, 8:00am
Art and Design
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Good Friday


Etching by Carl Heinrich Bloch (1834-1890).

18 Feb 2009, 11:15am
Art and Design
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Charles Imbro & The Imbro Studio Ltd.

imbro1

imbro3

imbro4

imbro6

I had the pleasure of meeting Charles Imbro in the San Francisco Airport a few weeks ago while waiting for our flight. (He was reading an art book; I asked him about it.) We talked about art for a bit, and I very much enjoyed our conversation, but I had no idea how talented he was until I got home and took a look at his web site, The Imbro Studio Ltd. His work (above) speaks for itself, I’m sure.

While his style is quite different than mine, I admire it very much. My favorites of his work are clearly grounded in tradition, with realist style and classical subjects, although some of his other pieces reflect more modern influences. He also does murals.

You can find more of his fabulous work at www.imbrostudio.com.

Waiting

Waiting by A.M. Otwell, 2009
Waiting
Angela Micheli Otwell, 2009
14 x 11 inches
Prints available here; original not for sale.

A Gang of Cavorting Porpoises

Yesterday, Orchids was featured in the Painters in Modern Times group at RedBubble. I am grateful for the hosts’ support and encouragement!

I’m reading what is probably the best book I’ll read this year, In the Likeness of God, by Dr. Paul Brand and Philip Yancey (though I haven’t finished the book or the year yet).

I’m beginning to think one of the best gifts God gave us (to learn with, anyway) is analogy. Earlier this year, I read Mind Of The Maker, by Dorothy Sayers and learned a lot about God as Creator by looking at human creators/artists. In The Likeness of God is about the human body and what we can learn about the One who created it and also the Body of Christ, the Church.

I’ve never felt I was particularly talented at finding/creating analogies myself, but perhaps it is something I should pursue. I seem to learn best from them. Jesus’ parables are analogies. I wonder how one goes about learning how to work with analogies?

(Actually, I have a short story I tried to write once that was an analogy, but I never finished it. I have more ideas than I have self discipline, and the light bulb that goes on over my head is sometimes a strobe light.)

In any event, I find myself wanting to quote extensively from this book, but I try not to quote too much from any one book here. Right now, I’m only on page 175 (of 552, though it’s not difficult reading), and I’ve got 3 fantastic passages I’d love to share! Since I really should just pick one, I guess I’ll go with the fun simile (i.e., analogy, if you don’t split hairs):

I can understand the complex process of keratin producing rigid fingernails and horses’ hooves. But no amount of training will lessen my astonishment as I watch a single stalk of keratin push its way out of a follicle, grow erect and proud and shockingly unfurl as a peacock feather. What was chemistry becomes beauty. It is as if a brilliant Appalachian quilt springs from a rock, as if a desert suddenly births a gang of cavorting porpoises.

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